Abstract
My article addresses issues of bioethics in cross-species hybridism raised in Robert and Beylis’ well-known “Crossing species boundaries” (2003) and the ensuing discussion by examination of two important stories written in the Soviet 1920s, “A Dog’s Heart” and “The Amphibian Man”. I argue that these two fictional narratives show that literature not only responds to changing trends in biological sciences but also heuristically considers and intuits wider social implications of radical experimentation. My approach is both synchronic and diachronic as I demonstrate that while being grounded in the same reformative atmosphere of the 1920s, the two texts present divergent responses to the issue of cross-species hybridism relevant for our contemporary debates. In particular, I deal with the notions of man playing God, species identity in analogy to ‘race’, procreation of human-animal hybrids, and also consider the relevance of culture-specific concepts of charismatic and distant species for cross-species discourse.
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