Abstract

BackgroundVocal learning is a central functional constituent of human speech, and recent studies showing that adult male mice emit ultrasonic sound sequences characterized as “songs” have suggested that the ultrasonic courtship sounds of mice provide a mammalian model of vocal learning.ObjectivesWe tested whether mouse songs are learned, by examining the relative role of rearing environment in a cross-fostering experiment.Methods and FindingsWe found that C57BL/6 and BALB/c males emit a clearly different pattern of songs with different frequency and syllable compositions; C57BL/6 males showed a higher peak frequency of syllables, shorter intervals between syllables, and more upward frequency modulations with jumps, whereas BALB/c males produced more “chevron” and “harmonics” syllables. To establish the degree of environmental influences in mouse song development, sons of these two strains were cross-fostered to another strain of parents. Songs were recorded when these cross-fostered pups were fully developed and their songs were compared with those of male mice reared by the genetic parents. The cross-fostered animals sang songs with acoustic characteristics - including syllable interval, peak frequency, and modulation patterns - similar to those of their genetic parents. In addition their song elements retained sequential characteristics similar to those of their genetic parents' songs.ConclusionThese results do not support the hypothesis that mouse “song” is learned; we found no evidence for vocal learning of any sort under the conditions of this experiment. Our observation that the strain-specific character of the song profile persisted even after changing the developmental auditory environment suggests that the structure of these courtship sound sequences is under strong genetic control. Thus, the usefulness of mouse “song” as a model of mammalian vocal learning is limited, but mouse song has the potential to be an indispensable model to study genetic mechanisms for vocal patterning and behavioral sequences.

Highlights

  • Many animals, including humans, use vocal signals to communicate with conspecifics

  • These results do not support the hypothesis that mouse ‘‘song’’ is learned; we found no evidence for vocal learning of any sort under the conditions of this experiment

  • Our observation that the strain-specific character of the song profile persisted even after changing the developmental auditory environment suggests that the structure of these courtship sound sequences is under strong genetic control

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Summary

Introduction

Many animals, including humans, use vocal signals to communicate with conspecifics. Song is a long, complex vocalization of several acoustic elements arranged in specific sequences [1]. [2]. Birds [3], and frogs [4] tested show only genetically regulated patterns of vocalizations, several rare groups of birds (songbirds, parrots, hummingbirds) and mammals (whales, bats and humans) learn vocalizations. They learn them through social imitation, with different degrees of innate constraints depending on the species [5,6]. Learning songs is achieved by transforming and differentiating prototype sounds until they resemble the different syllables of the song model This type of vocal learning for which neural and molecular substrates have been well documented [3] is similar to human spoken language learning [7]. Vocal learning is a central functional constituent of human speech, and recent studies showing that adult male mice emit ultrasonic sound sequences characterized as ‘‘songs’’ have suggested that the ultrasonic courtship sounds of mice provide a mammalian model of vocal learning

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