Abstract

A growing number of research papers regarding Spanish-speaking dancers justifies the need for an adapted Spanish version of the Dance Functional Outcome Survey (DFOS). The objective of this study was to cross-culturally adapt and validate the DFOS for Spanish-speaking dancers. A sample of 127 healthy and injured professional and pre-professional dancers were recruited. Test-retest reliability of DFOS-Sp was examined using intraclass correlation coefficients. Construct validity compared DFOS-Sp to the Medical Outcomes Study 36-Item Short-Form Health Survey (SF-36) using Pearson correlations. Principal component analysis identified factors and internal-item consistency. Sensitivity was evaluated by generating receiver operating characteristic and area under the curve analyses. A subgroup of 51 injured dancers were followed across three time-points to examine responsiveness using repeated measures analysis of variance. Injured scores were analyzed for floor and ceiling effects. The DFOS-Sp showed high test-retest reliability (ICC2,1 ≥ 0.92). DFOS-Sp scores had moderate construct validity compared with SF-36 physical component summary scores (r ≥ 0.56). Principal component analysis (PCA) supported uni-dimensionality explaining 58% of the variance with high internal consistency (α = 0.91).Area under the curve (AUC) sensitivity values were excellent (AUC ≥ 0.82). There were significant differences across time (p < 0.001), demonstrating responsiveness to change, with no floor or ceiling effects. The DFOS-Sp demonstrated acceptable test-retest reliability and validity in Spanish-speaking dancers, with comparable psychometric performance to the English-language version.

Highlights

  • Ballet and contemporary dance are activities that require advanced levels of technical skill

  • The Medical Outcomes Study 36-Item Short-Form Health Survey (SF-36) was used as a quality-of-life outcome measure to study construct validity of the Dance Functional Outcome Survey (DFOS)-Sp, similar to that tested in the English version [10]

  • We examined differences in DFOS-Sp and social functioning (SF)-36 scores in injured dancers across three time-points using repeated measures analysis of variance in SPSS

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Summary

Introduction

Ballet and contemporary dance are activities that require advanced levels of technical skill. Most studies that investigate the incidence and prevalence of injuries in dance point to classical ballet as the dance modality with the highest technical demands [3,4,5]. As the foundation for other dance forms, ballet sustains the highest rate of injuries [1,6,7]. Both classical ballet and contemporary dancers are at high risk of low back and lower extremity injuries [7,8,9].

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