"Córki powietrza. Sen Balladyny": Calderón spotyka Słowackiego w polu literackim, czyli hiszpańsko-polska comedia colaborada XXI wieku

Abstract

Literary relations between Poland and Spain are not only the subject of some purely theoretical considerations of this essay, but also a space for creative practice within the literary field, in the sense proposed by Pierre Bourdieu, as a complex network of positions, relations, and rivalries between its participants, individuals, and institutions. The main subject of the article is the process of creating a Polish-Spanish dramatic collage called 'Daughters of the Air. Balladyna’s Dream' (2019) based on Calderon’s and Słowacki’s dramas, grounded in the historical context, from the Polish-Spanish dramaturgical assumptions to the bilingual libretto of the play, which premiered first in Opole and then in Almagro. Such a process of creative rewriting of our classic literature can be compared to the forgotten comedias colaboradas, which were extremely popular in Spain during the Golden Age: those multi-author dramatic adaptations often resulted from a fruitful collaboration between two, three, or even more writers and dramaturges, which nowadays seems somehow more challenging.