Abstract

ABSTRACT Although the critical turn in intercultural communication highlights how power dynamics affect one’s conceptualization of cultural identities, it does not consistently call for intersectionality and reflexivity from a transnational performance perspective. Working towards Critical Intercultural Performance (CIP) framework is a theoretical commitment that communicates transnational hybrid bodies as performance of reentries and makes explicit connection between the framework’s two tenets: intersectionality and reflexivity. CIP also centres the subjectivity of hybrid scholars who engage in transnational research and articulates the tensions of privileged and marginalized identities in transnational spaces.

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