Abstract
This remark from Northrop Frye's Anatomy of Criticism has a rather poignant ring in the 1980s. It calls up a time, the 1950s, when criticism, along with the other social sciences, seemed ready to emancipate itself from ideology, ready to establish itself as an autonomous discipline free from contamination by extrinsic approaches, ready to abandon questions of value and taste in favor of a neutral, systematic, scientific meth-
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