Crisis and Collectives Shaping Art Events

Abstract

Art events like biennials and large-scale exhibitions typically strive to address urgent, timely issues; curatorial approaches respond to various crises from the environment and war to Indigenous rights – notwithstanding the way existing exhibition structures often reproduce exploitative relations or other forms of everyday precarity. In our analysis of crisis, we eschew the concept of crisis as a disruptive event with a clear end for a framing of crisis as a condition. Especially for art events on the ‘periphery’, working under conditions of crisis is hardly new. We investigate the collective practices of three artist collectives, ruangrupa (Indonesia), Womanifesto (Thailand), and Atis Rezistans/Ghetto Biennale (Haiti). In practices like sharing resources, centring non-productivity and giving attention to nourishment and health, these collectives are reshaping art events from events that matter in terms of their pursuits of relevance towards events that care.