Abstract
Writing the world today? First of all, this perhaps implies to reflect on the work of our predecessors of all times and of all countries (travel writers, Weltliteratur, ‘Littérature-monde’, ‘World literature’…), by rediscovering a relationship to the world that is not only that of predation or consumption, but rather regulates itself in the mode of dance or gardening. Ancient Japan displays at least two models for this: the door of Rashō and the garden of Ryōan-ji.
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