Criminalising Black Trauma: Grime and Drill Lyrics as a Form of Ethnographic Data to Understand “Gangs” and Serious Youth Violence

Abstract

Background: The criminalisation of drill music, a rap-based genre, is a recent chapter in a long history of policing “Black” music. The association of drill and other rap music with “gang” violence has a direct impact on the treatment of Black boys and men in the criminal justice system. However, critics argue that, rather than causing violence, violent lyrics reflect the lived experiences of marginalised communities. Method: Using a qualitative approach, this study analysed the lyrical content of 90 drill, grime, and other rap-based songs by UK artists, using thematic analysis. Findings: The following themes were found: social issues in the local area and community, involvement in crime, social status, coping with adversity, social support network, police, and escaping. Collectively, the themes highlight a narrative of Black boys and men who have experienced a range of adversities such as poverty, racism, child criminal exploitation, and community violence. Conclusions: Artists who make reference to drugs and violence in their lyrics also discuss adverse experiences and the impact of these, supporting the view that violent lyrics are a reflection of lived experience. Thus, focusing on criminalising rap music may be deflecting attention from risk factors for serious youth violence that are evidence-based.