Abstract
AbstractSusanna Gale (1749‐1823) was born in St Andrew, Jamaica, a member of the spectacularly wealthy Gale clan which at one point owned in excess of 1000 enslaved people on the island. This article takes Joshua Reynolds's portrait of her as a so‐called ‘English rose’ as the starting point for an examination of the discourses surrounding White West Indian creole identity in the Enlightenment. More images are then introduced to explore issues of sameness and difference within constructions of racial, class and gender identities, especially in cousin, sister and mistress–servant relationships. The article ends with reflections on Kehinde Wiley's portrait, After Sir Joshua Reynolds' ‘Miss Susanna Gale’ (2009).
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
