Abstract
AbstractIn this paper, we distinguish two types of creativity (F-creativity and E-creativity; Sampson 2016) and briefly address the question of language change and linguistic innovation in language acquisition. Cognitively speaking, the two types of creativity may impose different cognitive demands on a speaker. But the most pressing question, from our point of view, is the question whether E-creativity itself is constrained or forces us to ‘transcend’ the (rules of the) system. We will, eventually, argue that what looks like creative language use (metaphor, coercion, etc.) is still governed by rules (or hypermaxims). True E-creativity would then mean to step outside the system.
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