Abstract

The aim of the research is to analyze the creativity manifestation in the early stages of ontogenesis; to verify the relationship between creative abilities and social adaptation of preschoolers. The importance of the topic under consideration is determined by the fact that preschoolers’ childhood is the main sensitive period for the formation of creativity as the person’s adaptive re-source. The deficiency of development during this period cannot be compensated later. The examination of the creative abilities of 115 children aged 5-6 years has been conducted. Based on the total result of seven subtests Torrance Tests of Creative Thinking, three groups of children have been distinguished. They include children with high (N=20), medium (N=79), and low (N=16) creative potential. Data on behavior have been collected from 142 parents and 24 teachers who supervised children during communication situations. The adaptation of preschoolers have been analyzed on three sides: as a set of individual be-havioral reactions conditioning cooperation with the environment (A questionnaire of children’s temperament Thomas and Chess); as a social competency – skills in communication with children and adults (expert assessments of teachers based on the open structured supervision), and as an emotional adaptation to life situations (the projective technique of anxiety diagnostics “Choose a face”). In all cases, children with high creative potential demonstrated particular differences. The positive reaction of “approaching” in response to new stimuli, a low sensory threshold, and high speed of adaptation to the change of external terms are a typological profile of a “creative” temperament. Related problems of emotional reaction and the increased anxiety of pre-schoolers have been detected. The development of skills for social competence lags significantly in the group with a low level of creativity. The factorial structure of creative abilities, which presents three types of creativity (subject, verbal, and figurative), and three leading abilities (productivity, originality, and fluency) have been suggested. The particular parameters of creativity corre-late in different ways with the adaptability of preschoolers: the readiness is more successful, and originality is associated with disturbances of emotional regulation. In conclusion, creativity is presented as a natural condition for a child’s adaptation.

Highlights

  • Understanding creativity evolves with society and its needs

  • It is a powerful diagnostic tool enabling to measure the classic characteristics of creative potential, starting from the age of 5: fluency – the ability to generate a large number of meaningful ideas; flexibility – the ability to view information at different angles and apply different strategies for solving problems; originality – the ability to introduce unusual, unique answers going beyond the obvious; elaboration – the ability to elaborate on ideas (Torrance, 1998)

  • As a result of factor analysis we reduced 23 particular indicators of creativity to eight integral parameters: productivity and originality, which were considered independently for three informative blocks of tasks: verbal (1-3), subject (4-5), and figurative (6-7); in addition, we calculated the total indicator of the readiness of figurative subtests and the total score based on the results of the seven TTCT subtests

Read more

Summary

Introduction

The ability to be creative was considered as the highest manifestation of the human mind, as a rare talent that contributes to achievements in the sphere of arts and sciences, as a competitive advantage in business, as an attribute of self-actualization, and, as a necessary quality that needs development from an early age (Veldbrekht, 2009). Discussions on the mutual influence of cognitive abilities are still ongoing (Burlatchuk and Veldbrekht, 2011; Ilagan and Patungan, 2018; Karwowski and Gralewski, 2013); the studies are mainly focused on finding the personal and social prerequisites for creativity. Creativity is understood as a set of personal and cognitive qualities contributing to going beyond the things that are known, creating ideas that are novel and, at the same time, correspond to the context (Runco and Jaeger, 2012). The “Four C” model assumes that the results of creativity may have no social value, but be subjectively significant: to educate and transform a personality, to help express oneself, or to solve daily problems (Kaufman and Beghetto, 2009)

Objectives
Methods
Results
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.