Abstract

The academic circle is often negative about artwork reproduction and its products, but in fact reproduction has always followed and influenced the development of art as an undercurrent. This paper identifies three periods of time: the period of promiscuous creation, the period of derogatory reproduction and the period of technological reproduction. It is further argued that contemporary artwork reproduction is the reproduction of creation or the creation of reproduction, breaking the paradox of fate between the two, gaining a new perception of reproduction and an independent quality of authenticity, and acquiring a new meaning of creativity with the value of vitality at the aesthetic, production, dissemination and acceptance levels.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.