Abstract

ABSTRACTWe may associate the process of creative composition with spontaneity, yet it is inevitable that each artist applies an individual method in their approach to the creative space. Creative writing as a practice and a discovery presents an argument, a line of thinking, a means of ‘finding’, a ‘coming to know’. This paper conceives of writing as discovery and explores the practice of writing by others who had created or may create longer forms of writing that started as short fiction. In my quest to write a literary speculative novel using my strengths as an author of short stories, I sought to understand other people’s experience on converting short works into a novel or novella. I applied practice-led research, and mixed approaches – quantitative and qualitative – in a survey that supported two fundamentally different paradigms. The survey was a means of symbolically identifying with other short story writers and their ‘lived experience’, a way to explore my own model for crafting a novel story-by-story. This paper offers a practical solution in creative research by relating a scientific approach to an arts-based inquiry, and by offering a model that short story writers can productively adopt to write a novel within their strengths. ­

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.