Abstract
This paper distinguishes between creative labour as a universal human attribute and cultural work as specifically a meaning‐making practice in order to offset the way in which that distinction has become blurred in recent cultural policy rhetoric. It discusses the enduring relevance of Marx’s theory of alienation, the separation of conception and execution in the modern labour process and issues concerning individualism and collectivism. Institutional transformation of television is traced as an exemplary instance of the transition from organised to neoliberal capitalism. The consequences for cultural work of this transition are examined, and the concept of individualisation is used to illuminate the conditions of work at the present time for young entrants to the ‘creative industries’. In conclusion, the urgent need for research on the sociology of occupational experience in the arts and culture today is stressed in order to rectify its neglect in cultural policy studies.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
