Abstract
This article explores the relationship between fiction and non-fiction in Phillips’s Foreigners: Three English Lives. Through examination of the questions raised by differing reader expectations related to fiction and biography, a critical frame for understanding the way in which Phillips combines fictional and non-fictional approaches in this hybrid work is proposed, relying partly on Paul Ricoeur’s ideas of narrative identity and witnessing.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
