Abstract
The insistence of canonical twentieth-century historiography on the Turkishness of Ottoman architecture, codified during Sinan's tenure as chief royal architect (1539-88), has masked its more inclusive visual identity. A combination of Orientalist and nationalist paradigms has hindered a fuller understanding of the ways which the chief architect's monumental mosque complexes, the ultimate icons of the Ottoman style, mediate among the Islamic, Byzantine, and Italian Renaissance architectural traditions. The ongoing preoccupation with the Turkishness of Sinan and of his style is manifested a fictionalized biography of him written in the manner of a historical novel by Afet Inan, the director of the Turkish History Society, who had initially conceived the monograph project. Even though Meric had proved the fabricated nature of documents discovered by Cevdet and Rifat Osman, she indiscriminately uses them to embellish the childhood portrait of the national genius as a Christian Turk. Keywords: canonical twentieth-century historiography; classical Ottoman architecture; national genius; Rumi visual identity; Sinan; Turkishness
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.