Abstract
Machaut's set of complete works manuscripts forms a central pillar of our understanding of musical and generic developments and their courtly reception in fourteenth-century France. By applying the continuing scholarly advances made during the study of courtly practice and the professional Parisian book-trade to the earliest of these artefacts, this contribution reassesses the creation-history of the manuscript Paris, Bibliothèque nationale de France, fonds français 1586. The results tap into a number of enduring discussions within Machaut scholarship. These range from questions of patronage, to aspects of Machaut's authorial control and involvement in the production of his books, to the importance of order on the single-work level within a generic grouping, and to the practicalities of manuscript creation and intentionality. Finally, proposed adjustments to the dating of some compositions call for a review of existing notions of generic development and polyphonic composition in the early part of the century, thus resonating beyond Machaut's personal output.
Highlights
Machaut’s set of complete works manuscripts forms a central pillar of our understanding of musical and generic developments and their courtly reception in fourteenth-century France
34 This dichotomy is missing in much of the analysis presented in McGrady, The Writer’s Gift
I attempted not to be too prescriptive or gloss over the interpretative nature of some of my statements, at times offering more than one possible new solution to the questions raised by the materials
Summary
Machaut’s set of complete works manuscripts forms a central pillar of our understanding of musical and generic developments and their courtly reception in fourteenth-century France. The results tap into a number of enduring discussions within Machaut scholarship These range from questions of patronage, to aspects of Machaut’s authorial control and involvement in the production of his books, to the importance of order on the single-work level within a generic grouping, and to the practicalities of manuscript creation and intentionality. These various strands are brought together to form an alternative narrative for MS C’s creation, assessing its implication for the ways we understand Machaut’s social and creative practices, and with that, for wider generic development Were this narrative to be accepted, it would go beyond enhancing our concept of the process of creating manuscripts: it would call for. Master of the Remède de Fortune (MRF), containing different penflourishings
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