Abstract
Among the many complementary forms of knowledge-making, the artistic practice plays an essential, yet often overlooked role in influencing ecologically oriented decision-making. In my own ongoing visual research, I’ve experienced first-hand how documentary photography is uniquely able to reveal deep, qualitative insights that would otherwise remain obscure to canonical research methodologies. Through both a critical and reflexive analysis of my photographic practice exploring the complex ethical, ecological, and aesthetic relationships between people and bees, this essay explores how artistic research can elegantly—and effectively—catalyse more eco-oriented behaviours, policies, and outcomes.
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