Abstract
What opportunities for the creation of new worlds and subjectivities could we craft if we experimented with critical qualitative inquiry and/as an aesthetics of the wound? In this piece, I set out to explore this question by drawing on the memory of watching the film Cry Freedom as a 9 year old.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
