Abstract

Next article FreeCoverPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreCover: Maggie Taylor, The Day Sailor (2020) and The Burden of Dreams (2013). Archival pigment prints, 22 × 22 inches.Since 1997 I have been using a flatbed scanner, a computer, and small digital cameras as my primary tools for capturing fragments of reality. I weave these slices of time together digitally to create dreamlike worlds inhabited by everyday objects and slightly out-of-the-ordinary people. I rarely photograph contemporary people—I prefer collecting and recycling nineteenth-century photographs.When I begin to work on an image, I do not have a preconceived idea of the finished work. The images develop slowly, revealing themselves to me over weeks or even months sitting at my desk. This work is meant to be an open-ended, poetic narrative, a mystery to be unraveled by each individual viewer.© 2013 and 2020 by Maggie Taylor. Permission to reprint may be obtained only from the artist. Next article DetailsFiguresReferencesCited by Signs Volume 48, Number 4Summer 2023 Article DOIhttps://doi.org/10.1086/724234 © 2023 The University of Chicago. All rights reserved.PDF download Crossref reports no articles citing this article.

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