Abstract

It has long been known that details of the design of John Rich's Covent Garden theatre of 1732 are contained in the Chancery bill of complaint that he entered against the builder, Edward Shepherd, in Shepherd's lengthy answer, and his counter-complaint. These documents, written on the usual great membranes and now rather scuffed and rubbed, are difficult to work with because of their physical characteristics and their interminable repetitiveness.

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