Abstract
In German academic Volkskunde of the 1970s, scholar Ina-Maria Greverus was a pioneer in several realms. As a woman and feminist, she challenged the discipline’s gender order, including its hidden gendered epistemology; as an early reader of international cultural anthropology, she transgressed nationalistically confined horizons, and her methodological openness created space for new formats that challenged false assumption of scientific objectivity and neutrality.
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