Abstract
Abstract This article analyses in detail a collection of seven counterfeit volumes of the Mercure galant—the main cultural periodical and principal propaganda machine of the late seventeenth-century—kept in the Austrian National Library in Vienna. These counterfeits, which have never been studied before, reveal the efforts and strategies undertaken by the Dutch bookseller Abraham Wolfgang to copy the text, engravings and music in each monthly issue. Analysing this set also reveals the financial and material constraints faced by the Parisian publishers of the original Mercure. Finally, the binding and bookplate reveal important clues regarding the international distribution and readership of Le Mercure galant, as well as its transformation from a periodical to an historical account.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Similar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.