Abstract

The article asks about the relationship between poetry and thinking, and proposes a particular genesis of Nicanor Parra literature from certain memories that affect, according to his own confession to their creativity and which are at the origin of an anti-rhetorical writing and in opposition to the previous forms, which came to be read as conventional expressions of poetic activity in Chile with the emergence of the anti-poetry.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call