Abstract
A mode of audio-visual production called the “video essay” proliferated in the past decade. Noted by a video practice that is artistic, theoretical, and political, the video essay marks a distinct aesthetic strategy, one that I argue is premised on a mode of relationality. According to Ursula Biemann (2003), the video essay as a genre, situates itself between documentary film and video art. Considered too experimental, self-reflexive and subjective for documentary, the video essay stands out within the spectrum of video art as socially involved and political.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
More From: Art Education
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
