Abstract
This ReView of a series of therapy sessions that took place two years ago, over a period of seven months, takes the form of a theatrical text written for the stage. Coracles, Castanets, Cadaqu�s is part monologue, part comedy, part detective story, and part history lesson and follows the story of theatre professor who makes an appointment with a therapist. What ensues is a sonic and surrealistic autobiographical tale of lost orientation, and of learning to turn an eye into an ear in order to hear the ways that our own darkness is looped with our grandest understanding of love. Oh, and there�s a tiger.
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