Abstract

AbstractSummary: Copper corrosion on paper works of art is commonly explained by copper ion‐catalysed cellulose oxidation, usually reflected by discoloration of pigment and surrounding paper as well as by loss of mechanical strength. In this study, model paper and historic paper samples, both containing copper pigments, were compared using fluorescence labelling of carbonyl groups and subsequent GPC analysis. The historic paper samples did not show any typical sign of copper pigment induced discoloration, but high brittleness. In artificially copper‐corroded paper samples the distribution of carbonyl groups in combination with the molecular weight distribution of cellulose clearly indicated the occurrence of oxidative processes. In contrast, only insignificant oxidative damage was detected in the case of the paper fragments from an original work of art, a codex from the 15th century. Here, mostly degradation by hydrolytic action was revealed. There was no introduction of carbonyl groups into the bulk section of the molecular weight distribution, and the gain in new carbonyl groups corresponded to the number of reducing end groups newly generated by hydrolysis.

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