Abstract
Martín Gambarotta is one of the most renowned poets of the poetic generation of the '90s in Argentina. During a period of five months we held an electronic conversation via email. In our exchange we explored themes relating to the cultural scene of the '90s in Buenos Aires; Gambarotta's relationship with various poetic predecessors; the political possibilities arising from what has been considered his return to ‘realism’; and various ‘objectivist’ literary strategies, focusing specifically on his texts Punctum (1996) and Seudo (2000).
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