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Other| September 03 2018 Contributors’ Notes Journal of Popular Music Studies (2018) 30 (3): 171–172. https://doi.org/10.1525/jpms.2018.200012 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Contributors’ Notes. Journal of Popular Music Studies 3 September 2018; 30 (3): 171–172. doi: https://doi.org/10.1525/jpms.2018.200012 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Regina N. Bradley is assistant professor of English and African Diaspora Studies at Kennesaw State University in Kennesaw, GA. A former Nasir Jones Hip Hop Fellow (Harvard University, Spring 2016), she is working on a book project, Chronicling Stankonia: OutKast and the Rise of the Hip Hop South, which explores how the hip hop duo OutKast influences conversations about the Black American South in the post-Civil Rights era. William Cheng is associate professor of music at Dartmouth College. He is the author of Sound Play: Video Games and the Musical Imagination (Oxford, 2014), Just Vibrations: The Purpose of Sounding Good (Michigan, 2016), and Loving Music Till It Hurts (Oxford, forthcoming), and the coeditor of A Cultural History of Music in the Modern Age (Bloomsbury Academic, forthcoming) and Queering the Field: Sounding Out Ethnomusicology (Oxford, forthcoming). He serves as the coeditor of the series Music &... You do not currently have access to this content.
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