Abstract

AbstractContra Academicos is not one of Augustine's masterpieces and, as such, modern scholarship has largely ignored this text in favour of examining Augustine's more mature works. Scholars do, however, attempt to use it as a way of interpreting Augustine's psychological state of mind at the time of his conversion because this is his first extant text. I argue that this attempt at reading Contra Academicos as autobiography is dangerous because Augustine was deliberately offering a self-representation to a pagan-philosophical audience and, therefore, scholars should not attempt to interpret this dialogue as if it offered neutral insight into Augustine's state of mind around 386. This article will first review the history of the scholarship which has attempted to read Contra Academicos as autobiography to prove that Augustine was only a Neoplatonist at the time of his conversion, or to disprove this theory. In either case, the authors of both positions have relied on Contra Academicos to support their claims. Then, I will make three arguments why reading Contra Academicos as autobiography is dubious. First, I will argue that the literary genre of the dialogue shows that Augustine's intended audience was for pagan-philosophers. Second, I will argue that the dedication of the text shows that Augustine's audience is a pagan-philosophical audience. Augustine's dedicatee plays a larger role in this text than do most dedicatees of texts in late antiquity. Third, I will show that the specific content demonstrates that Augustine's text was focused on a pagan-philosophical audience. Augustine never quotes scripture but goes to great pains to demonstrate his knowledge of Vergil and Cicero.

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