Abstract
Environmental designers employ ordering systems as a means of achieving spatial clarity and richness of organization while contending with the complexities that characterize design endeavors. This paper considers aesthetic potentialities when built and natural orders are considered together, specifically when an architectural investigation and ecological restoration are articulated as one integrated problem. After considering a range of approaches to the ordering the built and natural, I look to Gilles Deleuze and Felix Guattari’s notion of ‘continuity of singularities’ as intimating an ‘aesthetics of the indeterminate’ that encourages a desired nuance, openness to the unforeseen and respect for the (ecologically) particular.
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