Continuity and Discontinuity in Palestinian Cultural Expressions: Baal, El Khader and the Apotheosis of St. George

Abstract

The analogical use of Biblical, archaeological and historical discourses on ancient Semitic religious, social and economic practices to interpret aspects of modern Palestinian cultural expressions does not seek to establish a homologous relation. Rather the use of analogical argument is of a typological order which points to mutually shared patterns, regularities, attributes or functions that have survived from ancient times to modernity. The dynamic process of ecological adaptation to the environment, the cultural diversity of which the Canaanite nascent city–states were composed, and the influences of the various peoples with whom the Palestinians came into contact have never ceased. Ethnographic fieldwork reveals a tapestry of life that has witnessed continued adaptations that structured and conditioned the unique socio-economic system, religion and spiritual legacy that the diverse Semitic and non-Semitic ethnic later settlers adapted themselves to. The concept of an authentic, fixed Palestinian identity is a myth. There was never a period of true identity, a genuine moment that encapsulates a ‘cultural essence’ or ‘cultural core’. Palestinian cultural identity has been produced within the context of Palestinian geography and bears structural continuity with primordial Semitic categories of thought. Throughout history, each period was merely a fleeting moment that in its transient fragility represented a momentary socio-economic dynamic adaptation of the culture to the available resources, thus ensuring the survival of the family within the tribe. Palestinians remain a tribal people whose elementary kinship unit was dynamically structured by the early pattern of cave dwellings that formed the ancient cities and hamlets that remained inhabited well into the twentieth century. In modernity the locus of the extended family, the sub-unit of the tribe (hamuleh) in the Palestinian village, is invariably the hosh, the four-generation family-living courtyard.