Continuity and Contrast in Jazz Improvisation: A Comparison of Woody Shaw’s Solos on Two Recordings of "Jean Marie"

Abstract

Research Article| October 01 2004 Continuity and Contrast in Jazz Improvisation: A Comparison of Woody Shaw’s Solos on Two Recordings of "Jean Marie" Ken Prouty Ken Prouty Search for other works by this author on: This Site Google International Jazz Archive Journal (2005) 02 (4): 6–27. https://doi.org/10.2307/44758087 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ken Prouty; Continuity and Contrast in Jazz Improvisation: A Comparison of Woody Shaw’s Solos on Two Recordings of "Jean Marie". International Jazz Archive Journal 1 January 2005; 02 (4): 6–27. doi: https://doi.org/10.2307/44758087 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJazz and Culture Search Advanced Search The text of this article is only available as a PDF. Copyright © 2003 University of Pittsburgh International Academy of Jazz–Hall of Fame2003 Article PDF first page preview Close Modal You do not currently have access to this content.