Abstract

The term ‘morpho-syntax’ has a dual meaning because it is a combination of both morphology and syntax. These two are language components that a stylistician can adopt in any write-up. This act by a stylistician is what brings about the uniqueness of a write-up which is based on individual’s use of language. It is also termed the morphology of linguistics adopted by a writer to achieve communicative effectiveness. Wole Soyinka’s language is said to be complex to most readers, possibly due to the morpho-syntactic features inherent in his text. Thus, the thrust of this paper is to identify the morpho-syntactic features and to discover the reason for the complexity of Wole Soyinka’s language in his book titled: Ake- The Years of Childhood. Using the functional stylistics as our model of analysis, we examined factors that are obviously and silently responsible for his complexity of languages, such as code-mixing, direct translation from Yoruba into English, a single word or sentence having several interpretations, coinages and his sentence structures. From our analysis, we discovered that the factors mentioned above are actually responsible for the complexity of Soyinka’s language and truly his use of language stands as a barrier to general readers comprehending most of his works.

Highlights

  • 1 Style cuts across both linguistic and non-linguistic aspects of life

  • Non-linguistically, style can be related to fashion such as hairdo, cloth design, cooking, fishing, etc., while linguistics deals with the way a writer or a speaker writes or speaks that makes them different from other writers

  • According to Encyclopedia Britannica (2002), style is derived from the Greek word “stilus” a classical method of using wedged wood to print letters on waxen tablets

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Summary

Introduction

Wole Soyinka’s language is said to be complex to most readers, possibly due to the morpho-syntactic features inherent in his text. This means that the impact which a work or an utterance is expected to make on the reader depends on the style of the writer and the language determines it. If many readers of his texts succeed in reading just a few pages, as Moors (1971) observes, it could be summarized that a few understand Soyinka’s work in depth because of his style, which can be related to his use of language.

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