Contextualising the peep‐box in Tokugawa Japan

Abstract

This paper explores the cultural and historical significance of the peep‐box (nozoki megane) in the context of late Tokugawa Japan. Specifically, I consider three interconnecting aspects of the device: the spatial representation within the pictures used for peep‐box shows, the performance space of the peep‐box shows and the use of the peep‐box as a figurative trope in popular literature. Focusing on these spatial relations that physically and allegorically relate to this device, I navigate ways in which these three related aspects can be situated and understood within the cultural and social environment of Tokugawa Japan between 1780–1820. Note: Japanese names appear in Japanese order, with family name first. Names of authors of works in English follow the order given in the publication.