Contextualisation Of Conflicts Between Tradition And Modernity In Orhan Pamuk’s My Name Is Red

Abstract

Orhan Pamuk’s fictional world is stacked up with ambiguities and peculiarities of need. His books are stacked up with the challenges of adherence to the custom of the East and the progression of the West. His books portray the propelled Turkey got between the arrangement to transform into a typical and westernized state and the draw of Islamic fundamentalist who try to keep up the Turkish culture. In My Name Is Red, Pamuk reintroduces Ottoman social history and Islamic style into popular culture through various storytellers. In My Name is Red Pamuk endeavors to set the discourse between the conventionalist driving forces of Turkey and the Modernists rolling. The conventionalist driving forces request that a craftsman should not fall prey for the money. All through the novel Pamuk endeavors to research the differentiations among East and West with the help of the miniatures. His works are the mix of Eastern and Western systems, events and styles through which he endeavors to go between these two universes.