Abstract
This article aims to share the experience of the renewal of congregational singing in Cuban churches since the 1960s as a testimony to the links that exist between liturgical renewal and theological renewal with a special focus on the dialogue between culture and social reality, particularly in light of the Cuban Revolution of 1959, as constitutive of this renewal.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
