Contemporary Women’s Autofiction as Critique of Postfeminist Discourse

Abstract

ABSTRACTWhile commentaries on the phenomenon of postfeminism have centred on its manifestations in media and popular culture, this article highlights the potential of literature for extending existing debates within postfeminist studies. I argue that the emergence of contemporary women’s autofiction offers the possibility of a literary response to the individualising narrative of a neoliberal and postfeminist sensibility. I advance this contention via an analysis of two texts: Sheila Heti’s How Should A Person Be? (2012) and Jenny Offill’s Dept. of Speculation (2014). Their writing practice is resolutely political because it employs the confessional mode, as indebted to the emancipatory roots of the feminist movement, to reflect on the enduring marginality of female artistic identity. By foregrounding the inherently provisional nature of their being, both texts emphasise that the search for a viable artistic consciousness and experiments in artistic method are as crucial as the final product itself, especially when the definition of woman as artist still remains contested. I thus locate the existence of these texts in a wider social imaginary conducive for feminist organising. In this respect, the rising popularity of contemporary women’s autofiction may offer strategies crucial for remediating an otherwise diminished feminist politics of the present.