Abstract
To me, as a writer of the older generation, it is a piece of good fortune that the Editor, when he suggested the preparation of this article, did not stipulate that its scope should be restricted to a consideration of what is known, specifically, as “modern” poetry. Not that I, personally, am out of sympathy with even the latest movement at a time when the younger poets are displaying an exceptional vigour and enterprise—only that the term “contemporary” allows me a wider latitude of appreciation, enabling me to make a more catholic survey inclusive of a greater number of writers.
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