Abstract
The article investigates the latest critical views in England by analyzing a postmodern novel “England, England” by contemporary British author Julian Barnes, applying the postmodernist theory of deconstruction fostered by French philosopher Jacques Derrida. The theory’s main components such as the tension between memory and fidelity, heterogeneity, a break and absolute newness are regarded as the focus in examining and understanding highly developed current societies that are rejecting the mere objectivity of earlier movements and praising the diversity of truth.
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