Abstract

In discussions of everyday nationalism, bottom-up readings of nationalism that take into account human activities have brought a remarkable dynamism to the study of both nationalism and everyday life. However, since most of the studies on everyday nationalism focus on how ordinary people construct their national identities in everyday life, they do not sufficiently address the relations of production and distribution of critiques of nationalism produced in everyday life. This paper will discuss some artworks created by different artists from different countries around the world by intervening in national symbols and the critical perspectives they bring to national identity, national history, and national policies of states. I argue that artworks produced in this way disrupt the rhythm of everyday life and make controversial interventions into ethical, aesthetic, legal, and political spheres.

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