Abstract
This paper explores the reception and impact of nine contemporary Anglophone plays in Montenegro during the post-pandemic era. Analysing data from theatre archives, reviews, and interviews, the study examines the selection, production, and reception of these plays in the context of Montenegro’s political, social, economic, and cultural landscape. The research highlights a sustained interest in both classic and modern-day Anglophone playwrights and delves into complex societal challenges, providing a backdrop for understanding the theatre’s role in addressing these issues. The adapted plays, which explore global concerns and existential themes, contribute to a dialogue with Montenegrin society and challenge accepted norms. The absence of COVID-related plays is discussed, revealing programming policies and priorities. Ultimately, this paper explores how theatre continues to be a vital platform for critique and engagement with contemporary issues, reaffirming its role as a space for dialogue and collective therapy.
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