Abstract

To the present day, the linguistic description of the religious style is reduced to characterizing certain genres, such as preaching, prayer, message, hagiography. The choice of the constructive principle of religious style and the description of its ontological foundations have not yet been set as an objective scientific study. The review demonstrates how the idea of proto-textualism of religious style is advanced and, consequently, the protogenic conditioning of all modern religious genres. The idea of proto-textualism receives a communicative, pragmatic and categorical textual basis in this review. The constructive principle of religious functional style is determined by the peculiarities of religious consciousness and religious activity. The characterization of these ontological principles of dual peace and salvation lies in the notion of the text-sphere embodied in the constructive principle of proto-textuality, which implies the obligatory support of each of the following religious texts relating to the religious prototype.

Highlights

  • In the last decades of the 20th century, religion returns to its place of significant social consciousness

  • Due to the historically established social relations in Russia of the 20th century, religion was not considered as a sphere of public consciousness, which is inherent in a certain style

  • In the 80 years of the 20th century, the social situation in the post-Soviet space changed, which led to the actualization of the issue of the allocation of a separate style that corresponds to religion as a form of public consciousness

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Summary

Introduction

In the last decades of the 20th century, religion returns to its place of significant social consciousness. Due to the historically established social relations in Russia of the 20th century, religion was not considered as a sphere of public consciousness, which is inherent in a certain style. This incident is the fact of the subordination of science to the ideological attitudes of the time. The current situation makes it possible to raise the question of the status of this type of speech activity, where religious and preaching style should take its proper place in the functional-stylistic paradigm of the modern Russian literary language and be appropriately described in the literature on stylistics [1]

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