Constructing, promoting and controlling the littérature coloniale of interwar France: an anatomy of the Grand prix de littérature coloniale (1921–1938)

Abstract

In creating the Grand prix de littérature coloniale (1921–1938) and appointing the award’s panel, the Minister of the Colonies, Albert Sarraut, endowed littérature coloniale with its first institution and ushered in new synergies between the political centre of the Empire and writers self-identifying as ‘colonial’. Pan-colonial in scope and bundling all overseas territories into a single entity that only made sense in relation to the metropolis, the form of literary colonialism that the metropolitan Grand prix promoted and its claim to universal authority over the textual representations of the Empire were contested by regional cultural awards mushrooming across French colonies and protectorates in the interwar period. The author argues that the fast-changing politics and policies of the Grand prix and the discourse surrounding its attribution were all weapons through which this battle for the ownership of colonial literature between the métropole and its periphery was fought, quickly outweighing discussions about aesthetic merit. They also show why metropolitan colonial literature and its regional variants gain from being analysed jointly, in their interrelatedness, by exploring understudied links between geographical space (both real and imagined) and the distribution of financial and symbolic capital across the French Empire during the interwar period.