Abstract
AbstractDrawing happens across space and time, and is action orientated by pen/pencil, inkjet or paint. The substrate that is drawn/marked on is also important, whether mylar, paper or sculptural instruments. Penelope Haralambidou explores her fellow Bartlett School of Architecture professor and office room‐mate Nat Chard's Instrument 10, part of a longstanding iterative drawing and representation project.
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