Constructing‐Contesting Masculinities: Trends in South Asian Cinema

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Previous articleNext article No AccessConstructing‐Contesting Masculinities: Trends in South Asian CinemaGita Rajan Gita RajanDepartment of Women’s StudiesHamilton CollegeandDepartment of EnglishFairfield University Search for more articles by this author Department of Women’s StudiesHamilton CollegeandDepartment of EnglishFairfield UniversityPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 31, Number 4Summer 2006 Article DOIhttps://doi.org/10.1086/500959 Views: 344Total views on this site Citations: 13Citations are reported from Crossref © 2006 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Hoimawati Talukdar Masculinities and Media Culture in Indian Bollywood Films, (Jan 2022): 570–584.https://doi.org/10.4018/978-1-6684-4511-2.ch034Meraj Ahmed Mubarki Body, masculinity and the male hero in Hindi cinema, Social Semiotics 30, no.22 (Nov 2018): 225–253.https://doi.org/10.1080/10350330.2018.1547497Praseeda Gopinath, Pavitra Sundar Introduction: Masculinities, South Asian Popular Culture 18, no.11 (Mar 2020): 1–10.https://doi.org/10.1080/14746689.2020.1736819Shamshad Khan, Sapna Nair, Anthony Huynh, Claudyne Chevrier, Raghavendra Thalinja, Ravi Prakash, Prakash Javalkar, Satyanarayana Ramanaik, Shajy Isac, Parinita Bhattacharjee, Robert Lorway Media, nationalism, and the body: Exploring masculinities, male partner violence, and HIV vulnerability among female sex workers in northern Karnataka, India, Global Public Health 15, no.11 (Aug 2019): 64–82.https://doi.org/10.1080/17441692.2019.1650948Shailendra Kumar Singh Interrogating Stigma: Menstrual Management and Maternal Masculinity in R. Balki’s Padman, Women's Reproductive Health 6, no.22 (Jun 2019): 118–127.https://doi.org/10.1080/23293691.2019.1601906Hoimawati Talukdar Masculinities and Media Culture in Indian Bollywood Films, International Journal of Smart Education and Urban Society 9, no.22 (Apr 2018): 12–24.https://doi.org/10.4018/IJSEUS.2018040102E. Guillermo Iglesias Díaz Alternative Modernities and Othered Masculinities in Mira Nair’s The Namesake, (Dec 2017): 203–222.https://doi.org/10.1007/978-3-319-62133-3_11Natasha Anand “I Am Trying” to Perform Like an Ideal Boy: The Construction of Boyhood through Corporal Punishment and Educational Discipline in Taare Zameen Par, Boyhood Studies 9, no.11 (Jan 2016).https://doi.org/10.3167/bhs.2016.090105Krupa Shandilya Of enraged shirts, gyrating gangsters, and farting bullets: Salman Khan and the new Bollywood action film, South Asian Popular Culture 12, no.22 (Jul 2014): 111–121.https://doi.org/10.1080/14746689.2014.937579 Eungu Lee Indian Woman in Deepa Mehta’s , Journal of South Asian Studies 18, no.33 (Mar 2013): 193–212.https://doi.org/10.21587/jsas.2013.18.3.008 Bibliography, (Feb 2010): 270–315.https://doi.org/10.4324/9780203889343.bmattRamaswami Mahalingam, Sundari Balan Culture, Son Preference, and Beliefs About Masculinity, Journal of Research on Adolescence 18, no.33 (Sep 2008): 541–553.https://doi.org/10.1111/j.1532-7795.2008.00570.xVinay Lal, Gita Rajan ETHNOGRAPHIES OF THE POPULAR AND THE PUBLIC SPHERE IN INDIA, South Asian Popular Culture 5, no.22 (Oct 2007): 87–95.https://doi.org/10.1080/14746680701619479