Abstract
Abstract: The term "crossover" in classical vocal music has generally been used to refer to a classically-oriented artist's forays into non-classical styles or genres. In the singers' world, crossover not only exists, but is increasingly accepted as an important part of the twenty-first century singer's training and preparation. But what of the singer's partner, the pianist and/or coach who will work with them side-by-side? How are pianists and voice coaches affected by the new trends in vocal repertoire? The authors talked with coach-conductors Kathleen Kelly and Stephanie Rhodes Russell about navigating crossover trends as pianists and coaches.
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