Abstract
Starting with European colonization, African natural resources in particular and nature in general have been coveted and exploited mainly in the interest of Euro-American industrialized countries, with China as a recent major player from Asia. Interestingly, the incessant quest by some Western NGOs, institutions, and governments to protect and conserve African nature not only are inspired by ecological and climatic concerns but also often tend to propagate a false image of Africa as the last Eden of the earth in order to control Africa’s resources. Using literary texts, this article argues that some Euro-American transnational NGOs and some of their governments sometimes conspire with some African governments to spread global capitalism and green colonialism under the pretext of oxymoronic sustainable development as they attempt to conserve a mythical African Eden. Utilizing three novels and one play from the Congo Basin, namely In Koli Jean Bofane’s Congo Inc.: Le Testament de Bismarck (2014), Assitou Ndinga’s Les Marchands du développement durable (2006), Étienne Goyémidé’s Le Silence de la forêt ([1984] 2015), and Ekpe Inyang’s The Last Hope (2011), I contend that such Euro-American environmental NGOs and their governments sometimes impose and sustain fortress conservation (creation of protected areas) in the Congo Basin as a hidden means of coopting Africa’s nature and Africans into neoliberal capitalism. For the most part, instead of protecting the Congo Basin, green colonialists and developmentalists sell sustainable development, undermine alternative ways of achieving human happiness, and perpetuate epistemicide, thus leading to poverty and generating resentment among local and indigenous populations. As these literary texts suggest, nature conservation and sustainable development in the Congo Basin should not be imposed upon from the outside; they should emanate from Africans, tapping into local expertise, and indigenous and other knowledge systems.
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