Abstract
If it is true, as Conrad once wrote, that 'A man's real life is that accorded to him in the thoughts of other men' ( UWE , p. 14), then the real life of Joseph Conrad is manifest throughout modern and contemporary literature, and has become a living part of our cultural self-awareness. His works have been translated into more than forty languages, from Albanian and Yiddish to Korean and Swahili. Conrad is one of the defining founders of literary Modernism, and his influence has been acknowledged by writers as different from him, and from each other, as Andre Gide, Ralph Ellison, Graham Greene, Jorge Luis Borges, V. S. Naipaul, William S. Burroughs, and Italo Calvino, to name only a few. Some of his works have been taken as models for the development of new literary genres. The Secret Agent and Under Western Eyes were among the first studies of spies who cannot come in from the cold, Nostromo is the first panoramic epic of South American colonialism, and 'Heart of Darkness' is frequently invoked as a cultural token signifying the 'horror' at the heart of modern Western civilization. The life and works of Conrad have inspired films, journeys, sculptures, comic books, Conrad societies and journals, and well over one thousand academic books and articles.
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